Artistic Re-search and Speculative Itinerancy📍Arif Habib ClassroomDr. Behzad Khosravi-NooriHabib UniversityThe workshop's core is the investigation of the research question.
During the workshop, participants will aim to formulate at least three research questions based on their research content and its social and political characteristics. Participants will work in pairs to critically respond to each other's research questions and propose new questions about the other participants' research. This process and the possible critical conversations it generates will serve as an introduction and a point of departure for writing a research proposal.
The workshop's primary focus will be on a research proposal's familiar yet crucial component: the research question. By emphasising the potential of artistic research as an alternative method of knowledge production, the workshop aims to highlight the necessity of formulating the research question beforehand. By distancing "re" from "search," the workshop seeks to underscore the importance of redoing, rereading, and re-search as foundational to knowledge production. This approach critically engages with modern ways of thinking and challenges the false division between the global North and South.
While the term "artistic" suggests that it pertains to and is for artists, in this context, we are leveraging the emancipatory aspect of art to re-examine the foundations of epistemology and knowledge production. The key methodological focus of this workshop is to accentuate the multifaceted potential of artistic research as not just a tool for exploration but also as a method for social, economic, and political engagement. It seeks to characterise artistic research as a dynamic, exploratory methodology while concurrently suggesting its vital role in shaping practices within the context of Global South subjectivity.Dr. Behzad Khosravi-Noori, PhD is an artist, writer and educator.
His research-based practice includes films, installations, and archival studies. His works investigate histories from The Global South, labour and the means of production, and histories of political relationships that have existed as a counter narration to the east-west, North-South dichotomy. By bringing multiple subjects into his study, he explores possible correspondences seen through the lenses of contemporary art practice, proletarianism, subalternity, the technology of image production and craftsmanship. He analyses contemporary history to revisit memories beyond borders, exploring the entanglements and non/aligned memories. His works emphasise films and historical materials to bring questions such as what happens when the narration crosses the border and what the future of our collective past is. In his practice, he reflects upon the marginalia of artistic explorations in relation to art, the history of transnationalism, and global politics.
He is a member of the editorial board of VIS, a peer-reviewed academic Journal for Nordic Artistic Research, and co-founder of Sarazad.art. He is the editor of the last two upcoming issues, Contemporary Ar(t)chaeology and Brieftopia.
Khosravi Noori’s works have been shown at Kalmar Museum, Malmö Art Museum, Venice Biennale, Timișoara Biennale, Ural Industrial Biennale, 12.0 Contemporary Islamabad, Tensta Konsthall, Sakakini art Institution Ramallah Palestine, HDLU Zagreb, WHW Zagreb, Botkyrka Konsthall, CFF (Centre of Photography, Stockholm), Marabouparken, Stockholm, Centre of Contemporary art, Riga, Arran Gallery Tehran, among other venues.Designed for AHSS FacultyResearch ApproachesIn person30Workshop