In this paper I will argue that art which seeks out the unrepresentable embodied traumas of the Holocaust, which actively disassembles form, and thus encounters the limit case of comprehension, does so through artistically abstracting typical cognitive frames of Holocaust representation. In reaching this limit case—where embodied traumas exist without any distortion or alteration—abstract art activates the sense memories which lay in what Lawrence L. Langer calls, “deep memory,” and actively mov