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Jason Lamoreaux

Allan Day

Alan

Nadia Ramlagan

Elizabeth Haigh

Byron Mayes (By Perfect), Gunnar Goshorn (Gun Ctrl)

Dave Wheatley

Emma-Grace Brinson

Bobby Brashear

Aaron Nicholas West

Blakeley Burger

Allan Day

thecorruptingsea@gmail.com

Jackson Kinkead

Round 2

(817) 715-9423

40065

The Corrupting Sea was started by Jason T. Lamoreaux in Texas in 2008 yet no one would hear an album for some years. Between 2008 and 2016, Lamoreaux experienced mental breakdowns and various undiagnosed mental disorders. The Corrupting Sea became a channel to cope with the mental anguish present in Lamoreaux and a trilogy of albums was born. Samatta, Resist, and Symphony of a Radical were all created in the midst of personal mental issues, the ramping up of political gaslighting by the fascist

https://thecorruptingsea1.bandcamp.com/music https://healingsoundpropagandist.bandcamp.com/album/ontology-ii

1 month

March 1

Sometime in the mid to late afternoon depending on the individual I'm working with. If it's just me, I'm very flexible. In terms of shows, I would like to perform a number of times in the evening during the month.

St. Neri is a place dear to my heart and I think is one of the most fabulous spaces to play in all of Louisville. It's incredible sonic resonance as a church creates the most incredible live sounds ever. My use of the space would be both for the preparation of a live album as well as a show to perform the album while recording it. Rather than my usual laptop/controller set up, I would like to bring analog gear into the space to exercise a larger set of sounds in my live work. Further, I would

The Corrupting Sea

moonwatcher422@gmail.com

(502) 667-5418

40208

The music of Moonwatcher is best described as psychedelic, experimental, and ambient composition and performance. The approach to music is unique and allows for big full sounds and soundscapes built on the spot without use of pre-recordings or backing tracks. Instrumentation includes mandolin (often played with a bow as well as a pick, and also used percussively), keyboard, saxophone, vocals, and various odds and ends including bells, kazoo, bird whistle, and anything else that strikes my fancy.

This link connects to links for my Facebook, Bandcamp, and YouTube pages: https://linktr.ee/moonwatcher42

3 month

As soon as available. I do not currently have any obligations scheduled for the first part of the year.

Afternoons, evenings, and weekends will be my available times.

Time would be used to practice and record. I am about to move into a three-unit apartment building, where the desire to be a mindful neighbor renders difficult the ability to find as much time as desired to create and cultivate sound in the home space. Meanwhile, the Moonwatcher project is approaching three years old, and while there are some older recorded demo tracks in existence, a goal for 2025 is to utilize updated technology in my possession to create recordings that better reflect the cur

Moonwatcher

alan.holsinger@gmail.com

(415) 370-9037

94613

I played with Sapat and Damo Suzuki at the Chapel

https://slobberkissintl.bandcamp.com/ https://youtube.com/@slobberkissintl3548?si=ZclAcup0N7tLacwP

1 month

I have vacation time the first half of February

Any time

I want to set up a subwoofer and tone generator and explore bass

Zignoto

nadia.ramlagan@gmail.com

Ella Rennekamp

Round 1

(443) 909-8887

40206

Singer and multi-instrumentalist Nadia Ramlagan grew up in Maryland where she immersed herself in local folk music such as Ola Belle Reed and her nephews, Hugh and Zane Campbell. She was first drawn to the sounds of old time banjo and fiddle traveling through West Virginia more than a decade ago. She currently plays with John Harrod and Kentucky Wild Horse and Louisville-based old time trio Man Eater (Grace Rogers, Blakeley Burger). Nadia has appeared on radio shows and festivals throughout the

https://www.youtube.com/watch?v=7JaFsLUFt4E https://www.youtube.com/watch?v=EpY0Qf06KH4 https://www.instagram.com/surface_noise_ky/reel/DAhnAI5tz-5/

6 month

January 2025. I can be flexible.

Thursdays are ideal, but I can be flexible on practice time. I can make most days work as long as I know in advance and it's regularly occurring. Thanks for considering!

Creating an album of new interpretations of traditional songs, and original material, and working to book curated shows featuring banjo and fiddle players and songwriters/collaborators.

Nadia Ramlagan (solo project name TBD)

eluttinger@gmail.com

Jackson Kinkead

Round 1

(315) 882-5720

40217

Elizabeth Haigh is a “Jill” of many trades, beginning with a lifetime in music, studying modern dance with members of Alvin Ailey, José Limon, Cunningham, and pursuing eclectic approaches to creative writing and visual arts. All the while, she has traveled to and lived in several states and countries, where she studied multiple languages and cultures. Her written words have been published and awarded. Her commercial music can be found (and heard and seen) on YouTube, multiple comedy channels, an

I try to sit at my piano regularly just to improvise and generate ideas. I stream them live as intimate performances for my loves (and followers) as a way to share what I do (while also working through stagefright!). https://www.instagram.com/reel/DD04jJgtgx7/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA%3D%3D - A short video, with my music, highlighting the gift boxes I engineered, which feature my surface pattern designs. Each contains a black glass ring my husband (a glassblower) created b

6 month

February (2025)

I'd love either the 3 or 6 month option (or somewhere in-between). Every week or every other week, on a Tuesday or Thursday, between 9am and 2pm, with a little leeway to invite sound-makers on their own schedules (with considerable advance notice!), as some live several hours away.

I want to record sounds to create a bank (publicized and made free online) to then use in compositions. Recordings would come from my instrument collection and the invitation of other sound-makers. I want to invite a few musicians I know through the Teaching Artist Directory, but also make an open call to collaborate with whomever is able! I’d then be composing music and soundscapes—both in traditional notation and digitally—to augment my visual pieces as a way to both bring the experience to th

Sound(e)scapes

byperfect@yahoo.com / gunnar.goshorn@gmail.com

(502) 314-9125 / (270) 535-9668

40208

PerfectCtrl is the cross of Louisville DJs By Perfect and Gun Ctrl. Their performances are immersive musical artistic experiences, containing elements of traditional deejaying and performance art. They introduce a sort of ritualistic audience participation to their sets, one that is expanded upon with each performance. Audio-visual motifs and soundscapes have been established by each DJ independently throughout their budding respective careers, but through collaboration PerfectCtrl has birthed a

"KXD: Final Strike" Performance (December 2024) - By Perfect, Gun Ctrl https://youtu.be/bkAZCXMhoWg?si=TQgAago-3ipe-zg6 FIREARM SAFETY (Remix Compilation) - Gun Ctrl https://on.soundcloud.com/KXWyL1AGZE5GHd8X6 Gunnar Goshorn on YouTube (DJ Sets, Performance/Video Art) https://www.youtube.com/@gunnar.goshorn By Perfect SoundCloud https://soundcloud.com/user-855029496

3 month

May 16 is the current desired start date. Ideally the summer is when we aim to host these events.

We both would be able to build our schedules around venue availability.

We would like to establish a party series, centering budding and experimental deejays and other musical/performance artists. We aim to highlight and fuel a larger cultural conversation and acknowledgement of the avant-garde and the intrinsic power of pushing creative boundaries especially in the South. Our weekly/biweekly events will call for elaborate dress codes accompanied by performances from emerging local artists. We want to ensure that there is a space for our community in the growing ele

PerfectCtrl

Jackson Kinkead

Round 1

Anthony and I are local sound-integrated yoga teachers wanting to hone our sound skills, along with others, playing along or experiencing the great acoustics and feel of the chapel. Although there are many “sound healers” making promises of “X frequency heals Y” we are not of that school of thought. Unlike making a song or concert, sound healing works with the premise of creating a space and atmosphere where the unique sounds allow the participant to stay completely and intentionally in the here

6 month

Flexible

I feel comfortable as a performer, but am seeking residency to learn from the Chapel and community about logistics and event planning/hosting. I’m in no rush on a timeline, but I thought this might be a fun way to make some really interesting events. I will be out of town Feb 7-10, but am usually able to meet or talk after 5p on weekdays or most times on the weekend.

Mystical Sound Lab with hosts Anthony & Dave. This would be a weekly Sunday (?) evening practice space for local sound bath/sound journey practitioners, led by Anthony and Dave, with a goal to produce and host a quarterly, suggested-donation/sliding scale Community Supported Sound Journey(aka sound bath) (LIVE at the Mystical Sound Lab). The practice time/space will allow us to experiment with unique instruments to find sound pairings and arrangements to hone our craft. Some common instruments w

Mystical Sound Lab

asgoodassisterhood@gmail.com

(423) 596-0868

40217

My name is Emma-Grace, a queer folk artist living and making music in Louisville. I’ve been writing songs since I was in high school, trying to capture life’s absurdity in words that might give it some structure or meaning. My songs trend toward scenes of young people self-destructing, contending with a world built primarily with duplicity, violence and apathy, and trying to cobble together enough threads of themselves to construct something coherent.

My demo ep: https://youtube.com/@asgoodassisterhood?si=NDPFuPtHJpXTOY9t

3 month

I’d like to start in May or June.

Daily from four pm till eight or nine.

I would like to use the facilities as a recording and practice space for the production of my debut mixtape. I may have collaborators on this project but none outside myself would be using the provided facilities regularly. I don’t have a place outside of my shared apartment to record and practice, so use of the space would be invaluable to me.

As Good As Sisterhood

bobbylbrashear@gmail.com

50290906

40205

Smarter Every Day is an experimental electronic and ambient music duo. We work together to produce dance music as well and film scores.

Heart of the City (unreleased to public) Directed by William Harvest Score by Smarter Every Day https://youtu.be/SCR6Bmb5IL4 Smarter Today EP https://on.soundcloud.com/Pxrbhe96s27tpTx38

6 month

3 month

We are working to get a movie score done before May 2025. Any time after that would be spent working hard towards expanding our discography of electronic music in order to put on a show and release more music.

I will be working mornings/ afternoons landscaping so the evening or late into the night would be best for us. Weekend mornings would work for us too.

Me and 1 collaborator would be using the space to work on the score for upcoming student film Heart of the City 2, a coming of age movie based in Winston-Salem directed by our best friend. We have been searching for a long time for an environment to get lost in, in order to create with no opposing force acting on us.

Smarter Every Day

aaron@aaronnicholaswest.com

(502) 419-4148

40207

Sound artist, multi instrumentalist and avant-garde collaborator. Focusing primarily on musique concrete, where sounds are derived from various techniques, including tape manipulation, analog effects or field recordings, then superimposed with traditional instruments.

www.youtube.com/watch?app=desktop&v=sO2ZlqF0YBo www.aaronnwest.bandcamp.com

6 month

As soon as possible

Pretty flexible. Mostly nighttime with some room for daytime

I would be using the time for both recording and performances. Using the spaces aesthetic and acoustics for inspiration.

Aaron Nicholas West

burgerfiddle@gmail.com

Ella Rennekamp

Round 1

(859) 492-9480

40206

Blakeley Burger is a fiddle-player, born and raised in Kentucky, who uses traditional music as a means of connecting to place, culture, and community. She is currently a new band member of the longstanding roots music group, Kentucky Wildhorse, who has performed traditional musics in different iterations around the state for over two decades now. She was recently awarded a Charlie Whitaker Memorial scholarship to serve as fiddle apprentice to folklorist/music documentarian and scholar, John Harr

Blakeley Burger https://www.youtube.com/watch?v=I6UYFWkhClw Kentucky Wild Horse https://www.youtube.com/watch?v=JEKJRbz6b2M Man Eater https://www.youtube.com/watch?v=7JaFsLUFt4E

3 month

I have a gap in my touring schedule during the months of March-early June and would love to use the space to rehearse with bandmates, record rough demos and practice independently, and host private/small group music lessons and community jam sessions.

Potential practice times would tentatively include mornings/early afternoons on Mondays, Tuesdays, and Wednesdays, and Thursday or Sunday evenings depending on concert and event plans which arise at the chapel.

Personal use- practice sessions/demo recording in preparation for various touring and recording projects Educational use- private/small group music lessons with no more than 10 participants expected; public jam sessions with 20-30 participants expected Man Eater- rehearsals and demo recording (3 members) Kentucky Wildhorse- rehearsals (6 members)

Blakeley Burger/Man Eater/Kentucky Wild Horse

moonwatcher422@gmail.com

(502) 667-5418

40208

https://linktr.ee/moonwatcher42

3 month

Whenever available

I would like to practice once or twice a week mainly on Saturdays and/or Sundays, and generally focusing on daytimes. I know the Chapel is used for other events and so I would aim to be flexible on when I use the space. It is possible that I would want to make use of the space on other days depending on my work schedule and general Chapel availability, but most concretely I would prefer to focus on weekend daytimes. This can be flexible, though, depending on everyone's needs.

Time would primarily used for creation and rehearsal purposes. Since my first-round application, I have worked out the possibilities within my new apartment home space for basic practice. By the time Chapel residencies are implemented, I will have achieved my start-of-year recording goals, followed by embarking on a new chapter of the Moonwatcher journey. I intend to take what I have learned and the ways I have grown in both sound and capacity over the last three years and continue to expand my

Moonwatcher

moonwatcher422@gmail.com

(502) 667-5418

40208

[This is a re-submission with a much honed vision of how I would use the time and space provided by the residency] The music of Moonwatcher is a fusion of neo-classical, psychedelic, and ambient composition and performance. The approach to music is unique and allows for big full sounds and soundscapes built on the spot without use of pre-recordings or backing tracks. Instrumentation includes mandolin (often played with a bow as well as a pick, and also used percussively), keyboard, saxophone, v

https://linktr.ee/moonwatcher42

6 month

Whenever available

Having honed my sound over 2024 and looking forward to the next stages of Moonwatcher, I would use the residency as a key resource in developing the Obscure Sorrows Project. This is inspired by "The Dictionary of Obscure Sorrows" by John Koenig, a remarkable little book which describes words formulated to describe emotions which are common but heretofore too complex to be defined by a single term. Much of the Moonwatcher approach and aesthetic has come from sonically rendering ideas, concepts, e

Moonwatcher

14 records

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